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Each year I do four, three day
Quilters' Retreats at historic French
Lick, Indiana. The quilters are housed in the famed, one
hundred-plus years old French Lick Resort and Spa Hotel, and we used
one of its meeting rooms for our quilting room.
Day one finds us painting many yards of fabric, and when we return
to work on day two, the fabrics are dry and everyone dives in on an
extremely busy and full schedule of quilt making, Phil Beaver-style,
of course. We scarcely come up for air and have a snack lunch of
turkey, ham, roast chicken, chips, soft drinks, etc., without
leaving the work room.
I finish my work for the day with them at 4 pm, and return to my
own home about four blocks up a very steep hill from the hotel. I
live in a beautiful 1916 artist/craftsman, and the dining room table
is set for all the quilters, my friend/helper Jim and me.
I earlier prepared a sit-down dinner and put it on ice before the
quilters arrived in French Lick. and at this time, I slide the
prepared pans of food into my kitchen ovens, and return to the front
porch of the grand hotel where I meet all the seminar quilters.
I walk them up the hill to my home for my home-cooked dinner.
We sit together at one, big, dining room table, and after desserts
and coffee, they remain in their chairs while I do a slide
lecture that mostly details human interest stories as they relate to
my quilts and my own signature in the world of quilt making.
At 9:30pm we are walking once again up the steep hill, two more
blocks to my friend Jim's 1916 artist/craftsman home. He gives
everyone a guided tour of his home that he's restoring back to its
original beauty and design, and he's doing all this while living
in it. We leave Jim's about 11:30pm, head back to the hotel and
that concludes day two.
Day three is more work on the quilt pieces by each participant,
major lunch/brunch at noon, more work until mid-afternoon, and then
we're off to a guided tour of the West Baden Dome. We leave the Dome
about 4:30pm and everyone fires their engines, we tell each and all
quilters good-bye, and the three day seminar is complete, happily
and sadly.
Many say I should rename these seminars "The Phil Beaver
Experience," but, believe it or not, we accomplish much fabric
painting and making quilts.
I've included
several photos of these quilters' work. No one finished their work
with bound edges, but enough was achieved for impressive
representation. These quilters gave it everything they had, and
their work tells it all. You may click each photo for a larger and
better view of each piece.
Phil Beaver |